First of all thank you very much for your contribution to our project. Can you please introduce yourself for us?

My name is Basil Kräher. After completing my apprenticeship as a graphic designer in Zurich, Switzerland, I moved to Tokyo at the age of 20. Initially, I came to Japan as a student to study the language, aiming to work in the Japanese design industry. However, I quickly realized the importance of connecting with the city's creative scene. Modeling in the fashion industry became my gateway, allowing me to meet many Japanese creatives and photographers, gaining valuable insights into their methods. Now, almost 4 years after my arrival, I work as an art director and photographer for clients in the fashion and culture sector.

In my portrait and documentary photography, I aim to capture the subtlety and vulnerability of my subjects. I primarily use natural light and analogue medium format cameras. My approach is quite formal; instead of aiming for the "decisive moment," I strive to capture a broader impression of the experience.

How did you start in photography?

I started taking photos after I found an old Nikon FG camera at the age 17 in my grandparents' basement. Something about that camera drew me in, and I began by snapping travel photos. However, it was at 18 when I truly discovered the power of photography. During this particularly challenging time in my life, I stumbled across the etymology of "photography," meaning "drawing with light" in Latin. This revelation was somewhat transformative for me. Photography became more than a hobby; it became a life philosophy — a commitment to seek out light even in the darkest moments. It allowed me to explore the world in new perspectives.

In general, what inspires your work?

I find a lot of inspiration in non-visual mediums, particularly music and literature. Engaging with these mediums always triggers visual ideas in my mind. When it comes to visual art, my photography and approach to lighting are more influenced by films than by other photographs. Filmmakers like Andrei Tarkovsky and Béla Tarr, with their ability to convey profound philosophical ideas through visually stunning narratives, have been major influences on me.

What was your motivation behind this project?

Ever since my childhood, remote places have exerted a mysterious attraction on me. This fascination led me to a project documenting the lives of nomadic communities in Kyrgyzstan. Together with a close friend who grew up there, we explored many remote areas in the Kyrgyz highlands. This allowed me to capture the endless expanse and its untouched natural beauty. The aim of the project was to shed light on the lives of these lesser-known communities, nestled among imposing mountains, and their deep bond they have with the land. Kyrgyzstan has been one of the most fascinating places I've photographed — a true hidden gem that often goes unnoticed by many.

What is the most memorable thing that your remember from Kyrgyzstan?

One of the most memorable things of my time in Kyrgyzstan was the night sky. Being far from any city and often camping in remote areas, there was no light pollution at all. Every night, the sky was incredibly clear, and we could see countless shooting stars.

Who are your favourite photographers / artists?

Some of my favorite photographers and artists include Alec Soth, Jack Davison, Rinko Kawauchi, Ryan McGinley, Lee Miller, and Tyler Mitchell.

What is your favourite photo book?

I don't necessarily have a favorite photobook, but "Sleeping by the Mississippi" by Alec Soth has had a big influence on me.

Thank you very much for your time and contribution to analog magazine.

Thanks for having me!

All images © Basil Kräher